Monday, 28 November 2016

Graphics Final Evaluation


The requirement for this project allowed and expected us to explore and create a Fan-Zine. The Zine itself had no requirements other than a minimum of 12 pages. It could be on a subject of our choice but preferably something new, original and interesting. I was originally quite sceptical about the project, creating a story wasn't something id say I enjoyed but that was where I had misinterpreted the requirements. I had failed to take into consideration that what we were creating wasn't a novel but a mini magazine. Something, short, sweet and ultimately fun.

I was very brief in my research, although the project was a graphic design project I didn't feel compelled to research a graphic designer. This was partly due to my inability to find a graphic designer who also created zines and because I wanted to create an original Zine in my own unique style. We did however manage to have a hands on session with many zines to get to grips with what they generally look like, feel like, the format and common characteristics such as how they're bound and what material they're made from. We had the chance to encounter many zines on trips to comic book stores and in class. Many of us hadn't experiences Zines before, I feel like I really benefitted from this as it allowed me to envision my Zine a lot better. I did eventually manage to find a creator and designer I could take inspiration from. Their name was AE Ritchie and they had created a Zine about tying in the natural with the electronic, combining images of brain scans and botanical illustrations. However the topic of the Zine wasn't what intrigued me, the fact that the designer had uses tracing paper as some of their pages. That I found very interesting and decided to experiment with it in my work.

I think my experimentation was ultimately a little bit flawed, in the sense that I had a very strong sense of what I wanted to create and so that limited my attitude toward experimenting with different ideas. I was cautious of wasting time creating ideas that I was sure I wasn't going to use. However when it mattered I think my experimentation was thorough. When it came to choosing my pages and playing around with tracing paper, that was when it became clear that experimenting was very fundamental to the success of a project. I explored using whole tracing paper pages, part tracing paper, photocopying onto tracing paper, sticking printed images onto tracing paper, using the tracing paper to trace the images, etc. In the end i was able to step back and decide what worked best for me. Originally I was confident in my ability to trace the images I was going to use but after experimenting my mind had changed and I had finally settled on photocopying onto the tracing paper as it was more efficient and it kept true to the images I was using.


The areas I feel need improvement are endless, each and every aspect of my work could have been improved so much. I feel I didn't fulfill my expectations with this project. The part that bugged me most was how I bound my Zine. I really could have tried experimenting more with book binding, using the number of pages to determine the success of my experimentation. I didn't take into consideration how many pages I was creating and so when it came to stapling my Zine together it didn't quite work because my Zine was far too thick. I therefore had to create a method to bind my Zine that I hadn't represented in my book at all. It was a last minute ditch at creating a finished piece. Although I guess that leaves my Zine up for improvement and development, which it definitely needs.

Sunday, 27 November 2016

Week 9 | Graphics


This was the fourth and final week of the graphics unit in our course and being the final week we needed to have produced a finished Zine by the end of the week so that we can take part in a group crit.

I had decided how i wanted my Zine to be bound so I went about collecting as much tracing paper as i could so that I had enough. I then began to cut the tracing paper to the size of my pages which was a move id later come to regret. The issue was that, due to time, I was going to photocopy onto the tracing paper and for me to do that I needed a paper size of a4. I had loads of tracing paper pages cut down to almost a5 which was a waste because it meant they couldn't be printed on and therefore I couldn't use them.

This meant I had to get even more tracing paper and make sure I had them cut down to a4.

With that all out of the way I needed to assemble all of my pages together on a computer in order to print them. I amassed all of the memes I had and along with the facts I began to create each page. Now the easiest way for me to do this was by using Photoshop. I created a canvas that was the size I wanted, imported the memes I wanted to use as well as the facts/figures and then I had to save the file as a Jpeg image so that they didn't take up much space and I could print them easily.

In the end I managed to create 16 pages with content and then a start and ending page. I sourced all of the facts I used with website links on the back page to credit where I got my information from.

The pages printed nicely and looked very slick and clear. The black ink looked especially great against the translucency of the paper.

After printing came the tricky part. It was tricky because I hadn't anticipated how many pages I was actually planning to make when I was gathering book binding ideas. I hadn't planned for the Zine to be so thick. The idea was to simply staple it at the top which seemed simple enough except for the amount of paper the staple had to actually travel through.

To solve my problem I had to use almost six staples through the Zine to overlap and staple groups of pages together. It worked but it wasn't very attractive.

Wednesday, 16 November 2016

Tuesday, 15 November 2016

Contextual Studies | The First Days of Digital

The Digital Revolution


In time for our project with Film we were shown a documentary about the Digital Revolution and the uprising of some of Hollywoods most exciting directors. A lot of these films, almost all of them, I hadn't actually seen before. 

We looked at Directors such as Quentin Tarantino who is famous for his coveted collection of creations including:

 - Resevoir Dogs 1992 
 - True Romance 1993
 - Pulp Fiction 1994
 - Jackie Brown 1997
 - Kill Bill Vol 1 2003
 - Kill Bill Vol 2 2004
 - Inglorious Basterds 2009
and 
 - Django Unchained 2013

The documentary touched upon subjects that covered Tarantios use of mundane, real life dialogue that is used in heightened situations, his homage to other film makers through his use of transcription, his post modernism and of course his re-occuring cast members.

The documentary also covered other film makers such as Gus Van Sandt, Matthew Barney, Baz Lurhman and Jane Campion. Although I hadn't ever come across many of these directors and film makers it was really interesting watching the documentary and seeing how each of them compares and what makes them all so unique.

The seven basic plots of any film are:

 - Overcoming the Monster
 - Rags to Ritches
 - The Quest
 - Voyage and Return
 - Comedy
 - Tragedy
 - Rebirth.

Tuesday, 8 November 2016

Contextual Studies | Phillipe Pareno

Phillipe Pareno | Tate


The Phillipe Pareno installation at the Tate Modern was really quite mesmerising. It took a while for the whole thing to get going but once it was working it was pretty magical. The whole installation was built around a small plate of bacteria that fed off of the atmosphere around it. The bacteria had control of every aspect of the installation from the lighting to the suspended boards, the speakers and even the fish floating in the Turbine hall. 

The Bacteria was determining what happened and when, it was organic and it was a living thing. Sometimes you would find a video being played onto a big screen because that was what the bacteria was telling it to do. The video would sometimes repeat itself and other times it would end after the first run through. I only caught glimpses of two different videos during the couple of hours I was there so I wasn't sure if there were more than two different videos that could have been shown. 

The one time I was there something amazing happened. Suddenly the Turbine hall erupted into a frantic roaring sound that turned out to be an aeroplane going overhead the building, or was it? We honestly could never tell because the surround sound was genuinely making it seem like the plane was 20 feet above you thats how loud it was. It was amazing to see such an installation grow out of the artists control. Pareno created this and allowed the bacteria to control it, trusting that it would do the right thing. 

Some photographs from the exhibition:  //// 10 PHOTOGRAPHS and 10 DRAWINGS//////












Drawings:























Tuesday, 1 November 2016

Contextual Studies | Tracy Vs Sarah

Tracy Emin vs Sarah Lucas


Tracy Emin and Sarah Lucas were the two artists we were focusing on for this weeks contextual lesson.

I had heard about Tracy Emin before with her very controversial installation of the bed but I had not come across Sarah Lucas. In a way they were very similar artists as they use feminism and sex very vividly in their work. It is almost an underlying theme in all of their work.

Tracy Emin:



Pros and Cons of Tracey Emin's Practice:

Pros:

  • She challenged accepted stereotypes of women
  • Her sculpture have raw energy that both provoke and amuse the viewer
  • She has explored and challenged sexual attitudes
Cons:
  • Her artworks are very crude and can often be seen as offensive
  • She doesn't explore themes that don't revolve around sex in any way
  • Her work may be seen as too explicit for the younger generation

Sarah Lucas:






Pros and Cons of Sarah Lucas' Practice:

Pros:

  • Her work is original
  • It has challenged the perception of Art
  • She has desensitised themes such as sex and drugs through her artwork.
Cons:
  • Her work doesn't get taken seriously
  • The themes in her work are all too similar
  • People only started to respect her once she had won the Turner Prize.